The following is from Masayuki Takayama's book "Biden is Red," published on 4/15/2022.
This paper also proves that he is the one and only journalist in the postwar world.
A long time ago, an elderly female professor of the Royal Ballet School of Monaco, highly respected by prima ballerinas worldwide, visited Japan.
At that time, she spoke about the significance of an artist's existence.
She said, "Artists are important because they are the only ones who can shed light on hidden, concealed truths and express them."
No one would dispute her words.
It is no exaggeration to say that Masayuki Takayama is not only the one and only journalist in the postwar world but also the one and only artist in the postwar world.
On the other hand, Ōe, I don't want to speak ill of the deceased, but Murakami and many others who call themselves writers or think of themselves as artists are not even worthy of the name of artists.
They have only expressed the lies the Asahi Shimbun and others created rather than shedding light on hidden truths and telling them.
Their existence is not limited to Japan but is the same in other countries worldwide.
In other words, there are only a few true artists.
This paper is another excellent proof that I am right when I say that no one in the world today deserves the Nobel Prize in Literature more than Masayuki Takayama.
It is a must-read not only for the people of Japan but for people all over the world.

There is Truth in "Toilet Scribbles"
"A certain Takayama should be thrown out of the media world" appeared in a monthly magazine a short while ago.　
The writer was Osamu Aoki, who appeared on "Sunday Morning."　
We are not acquainted with each other.
He said he thought I was writing something silly for a weekly magazine.　
As to why the hostile expulsion order, he said he happened to read our column and was so stunned that he almost puked.　
What he read was a story about a trip to Mt. Koya, accompanied by Gyo Tsutsumi, former editor-in-chief of Bunshun, and Yoshikazu Kitamura, an eccentric professor emeritus at Aichi University of Education.　
Standing in awe of his predecessors was Nobuyuki Kaji.
He had taught at Koyasan University and was familiar with the area.　
He guided us deep into the inner sanctuary, and that evening, we completed our journey to Tokuji-in Temple.
Tokuji-in is a historic lodging house on Koyasan.　
On the low wall of the reception room, installed just below the ceiling, hung the Heart Sutra in bold calligraphy, with the words "Tokiko Kato'' written in calligraphy.
When the conversation at the banquet turned to the many foreign guests staying at the inn, the proprietress broke down in tears, saying, "We don't accept foreigners at our inn.　
Gyo Tsutsumi asked her the reason for her tears.　
One day, a group of Chinese guests stayed at the inn.
The floor was extended in the tatami room where the Go Meijin tournament was held, and the innkeeper entertained the guests from afar.　The proprietress fell senseless when she went to her room to clean up the following day.
Each futon was covered with human excrement, and the walls, sliding doors, and tatami mats were covered.　
The woman's detailed account of the incident rendered everyone speechless.　
In "Chars" by Endo Homare, there is a story about a platoon of the Eighth Route Army who stayed at her Changchun's house.
After they left, "the silk damask bedding was covered in human feces, the walls were stained, and my sister's harp had been deliberately broken."　
Seventy years have passed since then.
China got ODA, technology, and even C0₂ emission rights from Japan at a high price and became rich.　
Pillsbury believed that "even the Chinese will become decent once they become wealthy.
The Japanese felt the same way.　
However, the reality in Koyasan was just as it was in the Eighth Route Army at that time.　　
The great scholars talk about this and that.　
The Chinese, whom foreign dynasties have always ruled, are willing to make tremendous ethnic selection at the slightest opportunity.　
In Mongolia during the Cultural Revolution and in the Tongzhou Incident, a massacre of Japanese, the destruction of female genitalia was a form of ethnic selection.　
It is the same reason they captured Uyghur women and forced them to be sterilized.　
The habit of lying, regardless of status, is no different.
Zhou Enlai made the Senkakus a cause célèbre, Deng Xiaoping played dumb, and now Xi Jinping is saying that the Senkakus are core Chinese territory.　
The Japanese media only talks about friendship with China.
Our group concluded that this was misleading the public.
In this column, I tried to convey the true face of these people, which the newspapers do not report.　
However, Osamu Aoki's reaction was different.
Although he is from Kyodo News, he assumed the Chinese at the lodgings had made up the story without checking it out.　
Even if there were, he called it "extremely unique."
Is it so unique that ten sets of night clothes are all covered in filth?　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　
Even more surprising is that even though my column clearly points out "Chinese people,'' he rephrases it as "foreign guests'' as a meaningless prejudice.
He then considers our points out "racism'' and says it is "graffiti on the toilet and shitty text about substantial identity."　
He concluded that it would be "good for Japan" to "get rid of a certain Takayama" because such a column in a leading magazine would "rather embarrass Japan."　
We are glad that there is still something we can do for Japan, but one thing bothers us here.　
There are many Chinese lovers in the world.
Many people have established Japan-China friendship groups at their own expense.　
What will happen if they get too excited?
If a word might offend the Chinese, they get even angrier than the Chinese.
They are motivated to defeat them on their behalf.
Aoki is a good example.　
They talk about friendship.
They declare that the ability to attack enemy territory is outrageous.　
It's all delightful to hear.　
But sometimes, let's look through the "toilet scribblings."
You'll find the truth.　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　
(April 22, 2021 issue)