Last night, before going to bed, I watched the "Yoichi Takahashi Channel" on YouTube.
On his way home from a taping of "Justice Ally," host Higashino invited him to see the latest "Godzilla" movie, "Godzilla -1.0" (Godzilla Minus One).
Yoichi Takahashi had initially decided to see the movie.

I had stopped going to the cinema at some point in my life.
The only Japanese movies I watch on TV are "Otoko wa Tsuraiyo" and "Tsuribaka Nisshi."
Last night, I watched "Otoko wa Tsuraiyo," starring Harumi Miyako, which started at 6:30 p.m. and was followed by the Japan Series baseball game.
I have watched "Otoko wa Tsuraiyo" many times, not only this but all the episodes.
I had no intention of watching this episode at first, especially since I remembered the synopsis so vividly.
However, because I am writing this paper, something pushed me to watch it.
And even if you search all over Japan, you probably won't find anyone watching the "Japan Series" on TBS and "Otoko wa Tsuraiyo" on TV Tokyo at the same time last night.

Harumi Miyako is one of those rare singers. 
Just listening to her songs, there is something to be emotionally and deeply moved about.
I was reminded of something.
As serious readers know, I was enrolled in one of Japan's leading preparatory schools.
It was a high school where the first and second students of junior high schools in Miyagi Prefecture were admitted.
People at that time knew high achievers in the humanities and sciences, respectively, in the prefecture from the time they were in junior high school.
He was in the sciences and consistently ranked at the top.
I was in the humanities.
A few years after graduation, he and I had a chance encounter on the steps of Hello Work in Sendai.
He was at the mercy of the times.
I was at the mercy of my family.
As a result, he encountered me on his way down the stairs, and I met him on my way up.
We went into a neighborhood coffee shop and talked.
I still vividly remember one thing he said, which was an expression of distrust and suspicion toward the "Asahi Shimbun," and another thing he said, which I still remember.
He said, "Harumi Miyako's 'Anko Tsubaki' touches my heart more than anything I have experienced or read in college.

As for Asahi Shimbun, my best friend at the time (I was still reading Asahi without knowing anything about it) said, "I don't read Asahi.
I don't read the Asahi. I don't like that uptight attitude; that's a lousy newspaper..."

He had a different kind of domestic anguish than I did.
It was nothing compared to the anguish I had.
I know this because I once went to his house for a sleepover.
But the things they perceived as afflictions in their boyhood and youth are significant in their own right.
He was a great, talented, mature, late type of person and spent a year as an entrance exam rejectee.
As soon as he started his life as an entrance exam rejectee, he became the top person among the current and an entrance exam rejectee.
So, he was in a position to go to the University of Tokyo or wherever he wanted to go.
However, his struggles also had a decisive impact on him when he entered university.
It had the same decisive effect on his decision on where to work.

Last night, after the Japan Series had become so decisive for Yamamoto's revenge, I mostly watched "Otoko wa Tsuraiyo: Tabi to Onna to Torajiro" (Otoko wa Tsuraiyo: Travels, Women, and Torajiro).
It is because I felt lamentation when Harumi Miyako started to sing.

As mentioned above, I have not watched Japanese films long, so I know little about Yamazaki's director.
I do know the title of the movie that Mr. Takahashi and Mr. Hyakuta told me he directed.
Sunset on Third Street Always, Eternal Zero, and so on.
They both praised these movies and the director's skill.

This morning, I watched the Naoki Hyakuta channel.
Mr. Hyakuta had finished the episode we watched last night because he would have lunch.
He went to see the film afterward.
He probably went to see this movie with his wife, who is one of the very best of Kyoto University graduates.
He was also very much appreciative of the film, speaking carefully so as not to spoil it.
It's heartbreaking and gut-wrenching.
It's amazing! I still can't stop being moved.

Director Yamazaki writes all his scripts, like Akira Kurosawa.
Mr. Hyakuta said that the theme of the latest Godzilla movie is well acquainted with the eternal zero.
It was also said last night by Mr. Yoichi Takahashi.

Mr. Hyakuta says that the theme of "Godzilla-1.0" is about "life" and what people live for.

I thought as I listened to Mr. Hyakuta's commentary.
As serious readers know, my "turntable of civilization" will continue for another 170 years after my death.
My successors are those who understand how vital my work, the "turntable of civilization," is for humanity.
They will always have God's blessing.
Because the "turntable of civilization" is Divine Providence.

Many people graduated from national universities such as the University of Tokyo or prestigious private universities but are still in the workforce, steeped in the masochistic view of history and anti-Japanese sentiment of the red professors (leftist pedophiles) who dominate Japanese universities.
As a Japanese citizen, it is genuinely shameful, especially for graduates of national universities, most of which are funded by the public taxpayers' money.
The same applies to private universities, which receive substantial private school subsidies.
All those who lack any sense of nation and politics, and on the contrary, do not even realize that they are tainted with the masochistic view of history and anti-Japanese by the leftist pedophiles, must see this film.

Now, the appropriate music for this chapter has just come on.