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「目的を共有した小さなチームで追い求める、本当のクオリティ」 — by Immersive Garden ＜vol.22＞
WORKS GOOD! MAGAZINE 第22弾はデジタルクリエイティブチーム Immersive Garden 。デジタルを通して心に残るストーリーを作り上げるためにどのような工夫を凝らしているのか、どのようなことを心がけているのか詳しく話を聞いてみました。 Q、まず初めにImmersive Gardenについて教えてください。 Immersive Garden は、アートディレクターのDilshan Arukattiによってパリを拠点に設立されました。彼がフリーラン
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お互いに正直で、本当の意味で友好的なチームだからできること。— by COLORS AND THE KIDS ＜vol.19＞
WORKS GOOD! MAGAZINE 第19弾はグラフィックや映像、アニメーションを得意とする COLORS AND THE KIDS 。 彼らの担当しているプロジェクトの規模から、直接話しを聞きに行くまでは十数名のチームを想像していたのに、所属しているメンバーなんとはたったの5名！そんな5名の中にデザインをメインとするクリエイティブチームとしては珍しい役職のメンバーがいたので、そのことについても詳しく聞いてみました。 Q、まず初めにCOLORS AND THE KI
“Unity and freedom accelerate the team’s motivation” — by Red Collar ＜vol.11＞
Our 11th interview is with the winner of Best Agency Of the Year at the DOTY 2017 by CSS Design Awards, Red Collar. Just how do they feel about being regarded as the leading company in the domestic Russian sphere of digital production. We t
“Value exchange is not always monetary” — by Your Majesty＜vol.10＞
The one which is going to appear at the milestone of the 10th is Your Majesty, which has got more than 200 awards and has clients including Netflix and Samsung. Having more than 30 members in Amsterdam and NYC , it practices various experim
“Most important thing is to provide environment that team can stay healthy both physically and mentally, as well as being able to regularly learn new skills” — by Stink Studios＜vol.9＞
For this, our ninth edition, an interview with “Stink Studios (formerly known as Stinkdigital)”, which undertook a number of the major brand project and recently, they produced the familiar, for Japanese readers, UNIQLO’s one of product’s p
“Managing over 60% rate of foreign clients from one and only place in Stockholm” — by Stockholm Design Lab ＜vol.8＞
If you’ve ever worked in an office in Japan, you’ve almost definitely seen a product from ASKUL office supply company. Our interviewee this time, the long-established design company Stockholm Design Lab, was in charge of the package design
“Employees come from over 10 countries. With an international team, we pursue the highest level of creativity.” — by Jam3 ＜vol.7＞
For this year’s final issue, we interviewed a digital design production Jam3, who won in 2016 the Cannes on the website MTV VMA. And more recently, fresh in our memory for winning the Awwwards, FWA, CSS DA’s “Site of the Month” on Dunkirk W
“With creators from all over the world, we provide a service that exceeds expectations even though we only have seven employees in our studio” — by FIELD ＜vol.5＞
The WORKS GOOD! MAGAZINE fifth interview involves creative studio FIELD from London, who does not only work branding and artwork, but also installation, interactive content, and space production. Despite only having 7 employees, they are pa
"To create good stuff, subject won’t matter" — by Locomotive ＜vol.4＞
The 4th interview of WORKS GOOD! MAGAZINE is digital agency Locomotive from Montreal in Canada, who recently won numerous awards in the Awwwards, CSS Design Awards, etc. We seek out the methods behind their working style, as well as how the
“There is a reason why we keep our team quite small” — by WILD ＜vol.3＞
We interviewed WILD, a digital branding studio based in Vienna, Austria. Last year they won three Cannes Lions and a Webby for Falter’s Inferno , as well as Site of the Year at Awwwards. We asked them how they usually execute their project
"If you’re not happy with what you do, it will never be a good job" — by Alvaro Arregui Falcon (Nuevo. Studio) ＜vol.2＞
For this second interview from WORKS GOOD! MAGAZINE , we fire our questions to Alvaro Arregui Falcon, who previously worked at the overseas digital product studio ustwo . Recently he established the company Nuevo.Studio in Tokyo, focusing o
