THR10IIを使い出してから

ちょっとシたセッションなら
コレで十分なんじゃね？

と想うようにナって来ていて

PODとかのシミュレータ
使い出した人々の心境って
きっと
こんな感じだったんじゃないか

そんな事を考えていたりシます

だってさ
リバーブとかフランジャーとか
色々つけるとラクじゃないですか

ゲインも高けりゃ
棹のネガや特徴は
どっか吹き飛んで行ってしまうし

チャンプだとダメな棹でも
THR10IIなら纏まるんですよ

歌モノなんかは
かえってTHRの方が
邪魔にナらないかも
等と考えますね

誰が弾いても気持ちいい
そんな音が出るって
スゴイ事だと想うんです

何と言うか
武士道みたいな
拘りさえ無ければ
かなり色んな事が出来るし
出せちゃいましょう？

僕は武士じゃないんだけどね

ライブハウスの
あの雑踏と言うか

特に楽屋の
グチャグチャとシた
あの混沌の中で

荷物が軽く少ない事は
一体どれだけのアドバンテージか

そんな事を考えちゃうのです

240508 Thank goodness for less luggage

Since I started using THR10II

I've come to think that it's enough for a small session.

I've come to think that

POD and other simulators
I'm sure that people who started using
I'm sure this is how they must have felt

That's what I'm thinking about.

You know...
It's easy to add reverb, flanger, etc.

If the gain is high enough
The negatives and characteristics of the guitar will be blown away.

Even if it's a guitar that's no good with a champ
THR10II can be used with a guitar that's not good with a champ.

For a singing piece
THR might be less of an obstacle
I think so.

It feels good no matter who plays it.
I think it's great to have such a sound.
I think it's an amazing thing.

I don't know.
Like bushido
As long as you don't get hung up on it
I can do a lot of things.
You can do a lot of things.

I'm not a samurai, though.

I'm not a samurai, but I can do a lot of things in the chaos of a live music club.

Especially in the chaos of the backstage area.

I wonder how much of an advantage it is to have light and small baggage

That's what I think about.

by DeepL